Nov 11, 2008

the version workshop

When Isoko boy taught Lagosians the art of dancing, choreography

By Yejide Gbenga-Ogundare


Dredvgil with a friend
Discovering the inner self and free ones creative mind is not only an important requirement in the art world but also an essential requirement for every individual that desires success in life. It is in this vein that Dredvgil, a professional art and dance organisation, organised an art workshop/ seminar titled ‘THE VERSION’ to train individuals to discover themselves and free their creativity and individualism free of charge.

The workshop was organised as a result of the Dredvgil coordinator’s passion to impart what he learnt as a professional choreographer and dancer to other dancers and those who are aspiring to go into the profession.

The organiser, Etagweyo Vincent Onorkarte, told The Lagos Magazine that the workshop is his own way of contributing to the development of Art. “This is basically my own contribution to the arts. It is just a tip off the iceberg as I look forward to doing more in the future especially in the area of collaborating with other artistes to project Arts in all its genres.

The workshop had many highlights which included talks from people in the academia. Mrs. Yeside Lawal, a lecturer from the Lagos State University (LASU) was at the workshop to talk on the essence of dance and how to merge traditional dances like bata with contemporary moves without losing the basic flavour while also tracing the origin of dance and how important it is in all aspects of the cultural life.

The event was, however, not about talks alone, the practical aspect was also exploited well. Dancing techniques and styles were taught by various professional dancers and how one can bring out individualism in dance was also looked into.

Though the programme was organised and funded by Vincent, he had the assistance of other professional dancers like Justin Ezirin, Anthony Odey, Kenneth Enebeli, Chinedu Nwanoyiri, Ndidi Okocha, Preye Yebowe and a host of other colleagues in the art world.

Because the workshop is meant to impart knowledge, the organiser does not want it to be a one time thing. It is expected that more workshops in this line will come up periodically if more funds could be generated. “This workshop is aimed at bringing out the talent in individual participant. Finding the ‘you in you’ and other things that many do not consider in dance but are quite important. We hope that after this, we could have funding or grants from individuals and organisations to help continue the programme.

Another core aim of the event is to educate youths especially those in the arts not to deviate from the tradition but to bring individualism to it to reflect creativity in a typically African fashion.

Vincent hails from Isoko South Local Government Area of Delta State. He finished studying dancing in the year 2000 and went fully into dancing at the National Theatre though it was not a profession he wanted to embrace fully but because it was a way of freeing his mind, he continued and fell in love with the profession. In 2004, he decided to become a learned dancer by going to school. He was admitted to study dance and music at the diploma level in the Lagos State University, Ojo.

He has performed with various organisations like Black Marbles Academy and Body Language Klinic among others before striking out on his own. He has traveled to London, Sri Lanka and France to perform and has been engaged in various shows as dance instructor among which is the celebrity takes 2 reality shows that came up in 2007. He has just finished a three-month tour of France with renowned choreographer, Heddy Maalem and the company is presently preparing for a month tour of the United States of America.

Yejide Gbenga

FROM AMERICA TO NIGERIA









Night pass by with oceans of darkness,

slowly swaying across the nail

of the Atlantic.

She drifts through the river from Africa

sailing to niaja;with a stoned wind,

every eyes short a peace,

dreaming of their loved ones.

From outside she looks so beautiful and soft,

so lonely in dark and sunshine.

She is marvel in color,

she is unimaginable if I was is groom.

From my seat,i gazed at her

magnificent wonder,

so shrill and sweet,

so milk and gentle;

I see her from afar,chanting with

a sweet voice ,calling for love.

I could feel it,o yes,i could feel it.


We passed her like jelly porn,

lashing her innocences like armies;

my GOD,do we just ignore her?

I can see she's bitter from the dark side

of the space;all clouded with black spots all over.

She is cold.

So many times we are so oblivion of her,

putting her misery behindi9 us.

My fermm,it is you only I love,

come and I will take you there,

to a place where there is love and joy.

From night till day light,

you stood in still, changing your gestures,

that is not what you are made of;

you deserve more than these!

No one will understand you,

If know one cares to know you!

I see you are weary In your stillness and hollow gown.


From beyond to here is no deferent.

No change that is not frequented in like every others.

It is just past and presents,

today and tomorrow,

right and wrong,

but I see beauty in you.
I felt love like a child,

I wonder from time to time.

If love will conquer,then there's

no force that will disrupt you from me.


Etagweyo Vincent Onokurte

artistic director dredvgil dance

www.theversionphaseone.blogspot.com


the version(still working on this project)









THE VERSION


The project “THE VERSION” is to promote contemporary dance and cultural exchange of dialog and exposure to the community through interaction and researching on new ideas, discovering new talents and more voice that will help in building the society. “THE VERSION” is a device of expressiveness to youth, and it is in this context I referred to it as finding the means of communicating with the public through dance. Interacting with the community and also finding the basic importance why dance is a tool of communication in the 21st century.


The project is based on truth, reality, perseverance and self consciousness of youth. The youth have to face the truth and challenge these issues with the believe of achieving positiveness at the end. The purpose of the project (THE VERSION) is to bring talents together, drawing kids out from the street by indulging them into various activities. Secondly; THE VERSION is in research of finding truth about what we need to know when by actualize a steady and comfortable society, then we can move the world forward.


AIMS AND OBJECTIVES


The aim of the project “THE VERSION” is to research on the simplicity and different reactions from the audience. Finding a different reactions and questions about what they feel. Knowing the importance of dance and it change for development. Creating a forum for dance or a gathering were discussion and ideas will be cultivated. Because now, it is dangerous that the young generation is oblivious of the existence of our cultural dance forms and styles. Thus; with these act, it podge us slowly. Today we youth's wants to follow our own ways which is good. Discovering new ways of dance styles, movements, body gestures and so on. With is also talking about the situation in society. But it is important we must know and understand what we are doing to back up with what we do.

We have a history and background, a culture and tradition. A deep cultural influence that which we came from, with this sense, it is important that we keep our cultural heritage and create a change of idea, a philosophy, a common orientation and understanding of our people and dance.


Etagweyo Vincent Onokurte

artistic director dredvgil dance

www.theversionblogspot.com

IMAGINATION

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IMAGINATION

In my solo dance piece, “IMAGINATION” Etagweyo Vincent Onokurte a young radiant choreographer explore through the realm of his body language and gesticulation of his philosophy ideology of racism and conflict. Ironically imagination evolves from the pang from the society and most of the fraction between tribal wars and religious genocide. Over time African humanitarian artilleries (AFA) have been going round from community to community about these issue of tribal genocide, but each time the society is engage in a solution, a sudden destruction emerge. This is political destruction the society experience day in day out.


It flows like virus beneath the society, slowly eating up people. Then, the prime of one soul to survive inside these hood is not justify. What then does these lives have if they will Skell through in the jungle?


MUSIC

The music is viable weapon. The instrument depicts the struggle of each stages of life. Some are in constant influence of the power that falls on hand. Ignorantly using these medium as a point of contact to harm others. Take life and do commit whatever crime they want. While for some is the revise. They use these gift to help and change both them self and the society around them.

I used three deferent music to reach out my own feelings of how things should be done and educate fox as well. Two African music and a western dialog (United state of American) the first is a singer named DESS REE. She is so inspiring. When I first listen to music. I knew immediately that this song will fit into my creation. I didn't hesitate to grab it for my work. The second is from Benin. From a noble chanter-man whose music and voice echoes as a weapon it cut arose regions and communities around the globe. His instrument depicts the how to cultivate traditional and moral intelligence. The third is from Nigeria. A soul traditional musician. A prince whose ideas and intuition of music of life is historical. He uses the context of today's situation. Especially the youths to expresses his own kind of music. His words are rebel in positive minds. Positive thinking. Helping one to know and understand his background.

CHAIR

the chair is another method of which I used to execute my own ideology and the philosophical mentality of the pang around me. I feel use the chair is a weapon of talking about the ills in the society. The wrong deeds that is happing to our people in the southern part of Nigeria. This is how many people where killed because of the raw material over there. Today delta state is not a conducive environment for tourist to visit. Youths over there now are frustrated which leads about the use of guns to survive. The north, is another genocide. People are killed in the name of SHARIA law. And so on around Africa. Deferent stories everywhere. How leaders are tutoring people about, children are sent to fight in a combats. These are the things I believe. “Even if they refuse to listen, we have prove a point to them in our own way. They can't turn there ear forever. The truth will always be seen”.

Ironically the chair as a symbol of power and destruction, I also place this as a point of contact with every human being. If we look deep inside our heart, we realize that we are not so pure as we think we are. It is just a pretext that we are in the face of the earth.



WHITE WRAPPER

A symbol of peace and unity within the lives of humanity and animals. Every living thing that breaths and walk on the surface of the earth. I use the wrapper as a way to convey an idea, to experiment in deferent methods and ways to able to show how the mind or the second sense of a humans heart is. In every pure heart there is a spot that is not pure or clear. That is to say; it comes a time when a mans heart conceive hatred towards somebody. Consciously or unconsciously the mind on it own conceive these evil syndrome. Sometimes it manifest, while most time it doesn't.







CONTEXT OF THE MOVEMENT


The movement are based on true stories, both my life history and situations around me. Body gestures, words, smiling, screaming, people standing, bus driver and it passengers, market square, the conflict, wars and e.t.c. Each time I see things around it makes me to reflect on something that has happened before or some times I will just visualize stuff ahead. Some say we artist think ahead of every human. I think that is true, because we see things in a deferent way and react to them in an artistic manner.



The movement which I deed in the piece were abstract and a mixture of traditional dance which is the influence I cultivate in the piece. Each movement has it manner of approach, each steps has it's own sequence and rhythm, each gesture has it own funny way or clownish way that depicts one or a situation around us. And each time the movement changes the feelings change too. These gives the piece a deferent type of idea.

Etagweyo Vincent Onokurte

artistic director dredvgil dance

www.theversionblogspot.com